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And, since the problem of problems is death, a destiny that affects everyone and that nothing can change, why not invent a tablet that at least cancels the fear of dying? That frees us from the awareness that the last day will come and that after that there may be nothing?
The theme of death runs throughout the film with tones ranging from humor to tragedy. Jack’s colleagues talk about it at lunch and discuss it in the classroom with their students. Whether it’s the demise of Hitler or Elvis Presley (which is the obsession of Jack’s colleague and friend, Murray, played by Don Cheadle).
Because, after all, as Jack explains during a lesson that ends with applause, the same attempt to sublimate the awareness of the imminent end was the same attempt to bring together the crowds in the square cheering Hitler and the audience of the King’s concerts. that the idea of putting Elvis and Hitler on an equal footing is a way to make fun of American academics’ abstract intellectualism and pop culture in one fell swoop).
And it is always for the same reason that the film opens with a montage of hundreds of images of chases, car accidents, explosions taken from as many films. As Murray explains to the students he is showing the video that we also see, all of these catastrophes are actually a time of celebration like Thanksgiving. one of the many rituals that mankind has invented to transform death into a spectacle, into a collective rite.
It is the first time that Baumbach has adapted a novel. “Brian De Palma told me many times that working on material that is not yours allows you to experiment more than when directing a text written by yourself.“, has explained.
And it is also the first time that in one of his films we see action scenes and special effects, especially in the second and third part.
Dealing with a story set in the Eighties, Baumbach has also made his own an imaginary, a style, even a palette of colors that refer to the cinematography of that period and which also coincides with his personal training phase, from disaster movieto romantic comedies and so on.
Also, the character of Babette remembers the kind of female figures that populated films in the seventies and eightiesunabashed (at least on the surface) mothers engaged in managing noisy children and messy kitchens, like Teri Garr in Encounters of the third kind or the Dee Wallace in ET.
The difference is that Babette is a rock that gradually shows its cracks. Because after seeing the end approaching in the form of a toxic cloud and getting drenched in a rain that will probably kill you if not soon, you can’t quite go back to what you were before.
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