[ad_1]
After three seasons and a film, written and directed by Mattia Torre, Giacomo Ciarrapico and Luca Vendruscolo, Boris returns to the screens to tell once again, with a satirical and unconventional language, the behind the scenes of the world of Italian cinema and television. The fourth season arrives and arrives 15 years later from the first, a time perhaps exaggerated for what has been one of the most cult TV series of the years, loved by users who have often also made an idea of life.
Boris 4: the protagonists of the TV series that everyone expected!
The Return of Boris 4 in the scenes of fiction (today a TV series) everything in finding the protagonists of the past: they are there Ren Ferretti (Francesco Pannofino) who agrees to return to directing, more for money than for conviction, of an elusive ” Life of Jesus ” created from the ideas of Stanis La Rochelle (Pietro Sermonti) now actor and producer as well as founder of So Not Italian Production which is trying to realize the TV series protagonist of Boris 4. And there are also the usual side characters from Corinna Negri (Carolina Crescentini) who married Stanis will find herself much less “ bitch ” in acting and much better, creating a conflict that revolves around the will to recover the money invested in Genghis Khan, a film with the disastrous results of Stanis .
Ten years later, therefore, generalist TV died and Ren and his co-workers and friends find themselves having to work for the Global Platformunder the orders of the manager Allison with whom they talk only via Zoom, in spasmodic waiting for the “lock” the green light of the script algorithm. ‘The eyes of the heart’ are therefore only a memory and this is what feeds the set ‘Life of Jesus’from an idea of Stanis La Rochelle who, in his fifties, will not only take on the role of the protagonist, famously dead at 33, but also as a producer.
And to whom if not entrusted the writing of the Life of Jesus, that is the usual three screenwriters (Valerio Aprea, Massimo De Lorenzo, Andrea Sartoretti) who claim to have written everything with the “ balaclava ” thinking that it was just an ultra-paid habit of Stanis, destined to end up in the waste paper basket. But now that the production really starts, they are completely blown away. To them lies the impossible task of making the script approachable by the Algorithm. And therefore we need teen plots, apostles “not all necessarily Caucasian”, Judas maybe gay and scattered “diversity”.
Alexander (Alessandro Tiberi) now has a role of power even if he gradually discovers that the power they have given him is more apparent than real. He will find himself progressively crushed by the very uncomfortable task of mediating between the limits of the troupe that he knows so well and the demands of the Platform and his Algorithm, who sees everything and controls everything. Algorithm that can ask to insert in the Gospel a teen love story or a Korean one among the apostles. As if the pressure from above were not enough, Alessandro also suffers the contempt of his old workmates who find it hard to see him except as a “slave”.
They are clearly not lacking either Arianna (Caterina Guzzanti) always trusted collaborator of Ren, this time finally with the name as well as with the role of assistant director. always the reliable professional we know, but this time her seriousness has to deal with a private life that is very complicated: now she has a dissolution marriage with an Irish director and the problems associated with managing an eight-year-old son. Among the new tasks she has to perform is the very difficult one on an Italian set of ensure compliance with the politically correct code of conduct that the Platform imposes on all its collaborators.
On the set he is also recalled for the occasion Duccio Patan (Ninni Bruschetta) who in recent years has made a fortune in Bollywood where he regularly carries out his work paired with Lorenzo (Carlo De Ruggieri). Indeed, he has made a fair reputation. In reality, as it will be discovered little by little, Duccio and Lorenzo have made a lucrative pact for both: Lorenzo, too serious and cold to be accepted in the role of DOP, limits himself to the technical aspects, while Duccio constitutes the facade of the association, the one who knows how to present himself, who knows how to say high-sounding words at the right time. In this way they have made a career. Over the course of the episodes it is discovered that Duccio has a very small new problem.
And during the 8 episodes that from prosismo October 26 will be loaded on the Disney + platform and can be seen all in one breath, the usual He mumbles (Paolo Calabresi) that basically the character remained more faithful to the first seasons. defender of old guard prerogatives and his main enemy now the new code of ethics of the set as he has always treated badly all subordinates and not only. It will also come Diego Lopez (Antonio Catania) who in retirement decided to found his production house QQQ (Qualit Qualit Qualit) together with his cousin Michele, Calabrian and clearly ‘Ndrangheta.
Boris 4: the first two episodes anticipate success
The first two episodes of Boris 4presented to the press, are the emblem of what will be a successful season for a series that over the three years and three seasons has always guaranteed an incredible following of users who have appreciated being outside the box with a language satirical and able to tell the behind the scenes of the world of Italian cinema and television.
And it starts immediately strong with Stanis having his new project in mind ‘Life of Jesus’: a modern TV series but capable of making his side as an actor and now also as a producer even stronger. As always, he relies on his three trusted scriptwriters who release a series that is a bit of a mussels in biblical sauce. Surprisingly, the idea of the TV series is being considered by Allison Daltman (Emma Lo Bianco) executive of the globetrotter show and belonging to the new generation. Everything ” amazing ” and even the ugliest projects make it just like ‘Life of Jesus’ which, although not initially loved, could, according to Allison, please the elusive Algoritmo and therefore also the public. In this case, to get funding for the project you need approved scripts and a strict code of behavior on set. Confident Stanis and Lopez have already brought together the entire crew of ‘The Eyes of the Heart’ and are ready to give life to what could be one of their end-of-career projects.
The rigid policies of the Platform, such as the behaviors to be followed on the set, catch all the protagonists of the troupe a little unprepared. To feed the non-respect of the rules there is also now a series of Calabrian extras of the Uncle Michele (Giuseppe Piromalli), which certainly does not help to relax the atmosphere. Moreover, Stanis and Ren want to get rid of Corinna at all costs, knowing the not excellent interpretation of her with the past ‘The eyes of the heart’. As if that weren’t enough, there is also the need to have Allison and the elusive Algoritmo approved the project of the new TV series and to do so it is necessary to enter a teen story. In this case, the algorithm commands and what one wonders at this point if Ren will be able to get the bets approved by the Platform.
Boris 4 without Mattia Torre (who somehow exists)
Mattia TorreItalian screenwriter, playwright and director, who died prematurely three years ago (and Roberta Fiorentini, the Itala of the group, honored in the series with a funeral as she would have liked in the first episode) c ‘also in this new fourth season. And in Rome, during the presentation of the TV series, Giacomo Ciarrapico and Luca Vendruscolo wanted to make it clear why they wanted to ” include ” their friend and companion in the series.
Making a new season of Boris without Mattia seemed crazy to us. part of us and the series. But when Lorenzo proposed it to us, we thought about it. And we retraced the mess we did with him about a possible new season. And the notes made us laugh and moved. We did it and we hope with all our heart that he likes it.
We asked ourselves “is it still possible to tell the story of a troupe that shoots a traditional national popular fiction in 2022? Does it still have a satirical impact? Does it catch the air of the times? ”. Our response was that we had to change. To keep Boris’ intimate nature, we had to have the courage to change many things. When Boris was born he told the shabby stories of Ren and his gods, condemned to make “the worst TV in the world in the most televised country in the world”. When Boris – The series saw the light, generalist TV was at its peak. A few years ago the “Big Brother” had appeared which was the demonstration of the maximum power of that model, based on the “appointment”. And in Italy the premier was a television tycoon. Talking about TV automatically meant talking about the mechanisms of the world, making satire. But in the last ten years the landscape has changed a lot. TV has lost a great deal of its power and is no longer the center of communication. Today in fiction there is talk of great success for numbers ten years ago would have been ridiculous. Two fundamental things have happened: the weight shifted from the appointment to the contents and then these new contents had to acquire, if possible, an international appeal. And this success for the progressive imposition in the world of platforms, pandora’s boxes of every possible content, which can be accessed at any time. It goes without saying that this has changed everything. And in Italy? also happened with us, but with mixed fortunes, because for mysterious reasons we are unable to keep up with foreign productions. At least as far as fiction is concerned in Italy we are like King Midas in reverse, everything we touch turns into shit. Could Boris in 2022 still attack the good old TV for families, reassuring and intimately “Christian Democratic” (since that TV is still being made, not at all gone)? The answer we gave ourselves would have been like shooting the Red Cross. Hence the need to change some basic assumptions, to renew the challenge. Both ours as authors and the one to which the characters are called. Somehow we had to make our unlikely protagonists land in the parlor of today’s international production: the Platform. It wasn’t an easy challenge. We had to give all the characters a plausible evolution. Not to mention the mourning that sadly struck the cast: the death in 2019 of the irreplaceable and wonderful Roberta Fiorentini, Itala. And instead of that too we had to somehow talk. In a sitcom. Can all these changes be made and not everyone disappointed? We don’t know, but we tried.
Boris 4: from October 26 on Disney + with 8 episodes
Boris 4 will therefore arrive for everyone from next October 26 on the Disney + ” platform ”. And the 8 episodes that will make up the TV series with Ren and the others will all be available immediately for a guaranteed binge watching. And now we are wondering if there will be a Boris 5 ie a fifth season of the series. The answer is clearly in the hands of the users and clearly “ it will depend on how this one goes ”. In our opinion? Yes, because Boris 4 will be a success!
Disney +: here’s how to subscribe
Italian users can currentlysubscribe to Disney + at a cost of 8.99 per month or 89.90 per year.More information on how to subscribe can be found atDisneyplus.com.
HERE IS the page that allows you to “SUBSCRIBE”directly on the official websiteDisney +
.
[ad_2]
Source link
