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Black Panther is gone, in the real world as well as in the ” Marvelous ” one. The scene with which the second chapter of Black Panther opens is precisely the one in which the sister Shuri (Letitia Wright) blames herself for not being able to save her brother, and it is no coincidence that the film begins with her. Yes, because it is precisely about her that the director Ryan Coogler weighs the corality of the story of this Wakanda Forever and she will be the real protagonist throughout the film. It only takes a few scenes to understand that it won’t be your usual Marvel movieas if to underline the fact that even in the fantastic world of superheroes one can die and it can happen that this happens in silence with a dignity that belongs to those who have fought all their life against enemies.
Here, we know, T’Challa is gone and his interpreter is no longer there Chadwick Boseman and this, as argued by the director, conditioned the entire chapter, leading the film in a direction that was very different from that initially imagined by those who were writing it before the actor’s death. And maybe a ” tribute ” film the one written and directed by Ryan Coogler, a profound reflection on the death and inheritance of a man, a king, a brother but also of a sovereign who no longer exists and who, although a superhero, had to deal with death even in the world where it doesn’t seem possible to die.
The film suggests that Chadwick Boseman is somehow irreplaceable. The first Black Panther had been a worldwide success, a costume phenomenon that had created an afrofuturistic world capable of also becoming a symbol of black pride outside the USA. The greeting to T’Challa also and above all a greeting to Chadwick Boseman, died of an incurable disease at the age of 44. The pain that affected all the cast but also the fans somehow transformed into Wakanda Forever, in a story s, full of action and socio-political battles with powerful special effects, but also of thought, of a feeling and with scenes where it is easy to get carried away and drop a tear especially in those who truly loved Black Panther.
And it was right, in our opinion, not to take the path of replacing Black Panther: no man or no interpreter would have ever found the right place as Boseman had found it. Hence the idea of considering a protagonist with her own DNA and capable of making herself a Black Panther almost as much as T’Challa but with a strong female predominance.
The post-T’Challa challenge against the villain from the sea
In the film, two narrative levels are intertwined: that of socio-political-military contrasts and that of the emotionality that develops with the characters linked to T’Challa and the world of Wakanda. Clearly the two floors are intertwined and the path of the protagonist Shuri it only brings awareness of his role in the world of Wakanda. There is no more heart-shaped grass that Killmonger in the first chapter had burned completely once he ascended the throne for not having more new Black Panthers, but Wakanda remains strong and united under the leadership of Queen Ramonda (beautifully interpreted by Angela Bassett) which once again prohibits embargo policies on Vibranium, the mineral symbol of Wakanda but also a true attractive jewel of all states in the world.
And it’s easy to find out how Wakanda Forever becomes a female-led film ready to make the most of the role of women in a purely masculine society, even Marvel’s, without rhetoric. The director and writer does it in an unassailable way with quality actresses and protagonists who deserve respect both for their role as well as for their great ability to create characters that are not redundant but rather full of truth and easily lovable.
We pass by mother queen Ramonda which rises, probably ” thanks ” to the absence of the protagonist Boseman, to the true mother of Wakanda in an aspect that tastes not only of a mother but also of a sovereign. There Shuri, sister and scientist, who points out her past and thinks of her dead brother and whose death she is unable to overcome. Yet Okoye (Danai Gurira) who perfectly embodies that typical Marvelian warrior spirit but also a little real. And then there is Nakia (the beautiful Lupita Nyong’o) trusted companion for all. All female figures who do nothing but give thickness to the film without exaggerating.
He fits into this world of female figures Namor and his Talokan people which is conceived by Ryan Coogler with lights and shadows. On the one hand, the idea of a people living in the abyss that is not very original but well thought out, especially in the world of Marvel. There is personality in his king as well as in his people but there is little detail in the characters of the vessels / mutants, certainly desired, with a more real and therefore darker approach in the environments of the submerged town of Talokan. Too bad for this aspect that is not explored so much that Namor’s toughness and arrogance in the battle against Wakanda can be highlighted. Yes, because without uttering a spoiler, we know well that Namor and the people of Talokan will try to counter Wakanda and Shuri in a battle that will be powerful and with special effects that are typical of a Marvel film, especially in a sudden crescendo, also interspersed with situations. comic characters typical of the characters and the director.
Mighty Namoraesthetically and physically, as well as his Talokians who on the whole work well, immediately creating the figure of the enemy ready to win and leave victims on the field without caring. Namor the K’uk’ulkan or the “ winged serpent god ” and he really is with wings on his feet and the gift of immortality that allow him supersonic speeds underwater and out of the water with targeted attacks terrible for opponents to suffer. Namor is undoubtedly the true antagonist of Shuri and Wakanda: an ambiguous character who knows how to be aggressive or bewitch when needed and in the right circumstances. Certainly thanks to the excellent interpretation of Tenoch Huerta who manages to address the right final message to the viewer.
The long sequel (perhaps too much), there are over 2 hours and 40 minutes of a screenplay that is a little careless in detail, and you can understand it with the world of Talokan as well as with the battles that are perhaps a little too trivial. The special effects for there are e the final mighty fight, loaded and also a bit classic as the viewer of a Marvel cinecomic wants. To impoverish the central part that does not have the same weight as the incipit as well as the final of great emotional impact.
And the very emotional ending that makes the sequel Black Panther: Wakanda Forever a touching film which perhaps departs from the usual Marvel Studios production register. But still a solid, honest and highly contemplative sequel that perhaps many did not expect but that takes the film to a more realistic level while maintaining that aura of fantastic that all fans of the Marvel world still want to see and hear. The exciting music helps in all this and in addition to the sound there is also a well thought-out editing that allows you to follow the long and articulated story that perhaps would have needed at least one or two more films to be better digested.
Black Panther: Wakanda Forever already suggests in the title the will to give an end that is the beginning of something else that passes from a rebirth and allows to continue in a life, real or fantastic, that is also full of memories.
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