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The atmosphere that cloaks the story and the environments is chilling. However, as Lib’s composure, phlegm, rigidity gradually step aside to show his sensitivity, sense of justice and affection, the film also warms up over time, and towards the end it is – literally – incandescent. The photography and set design are wonderfulliosis; there are no better places like the UK and Ireland to host stories with that kind of atmosphere, which in English is referred to as “eerie”, and which in Italian translates as unreal, sinister, mysterious, uncanny, spectral. And the packaging of The prodigy it includes all these things together. About the title, the real prodigy is Florence Pugh as Lib. His performance is arguably the best of his career: passionate and compassionate, sincere and empathetic, persuasive and engaging. Immersed in a reality that rejects him and rejects him with all his strength, his character is just as magnetic, and his courageous, desperate and admirable choices. For such a dark and fatalistic film, the plot twist ending and the epilogue are almost disconcerting, yet they manage to render The prodigy even better.
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