[ad_1]
This can only be true to a certain extent, because in reality in The Full Monty the political element, the condemnation of Thatcherism and the destruction of the social and economic fabric of the proletariat, certainly represent the heart of this irresistible comedy. Between skirmishes, unlikely ballets, absurd auditions, while all together struggle to carry on that show between defections, difficulties and even arrests, Gaz and the others are also protagonists of an analysis does not give anything on the English society of the time, on how and how much it was changing. Even more interesting, this is basically a film that also anticipates the crisis of the traditional family and the struggle of the rainbow community for their dignity.
The mirror of a society undergoing profound change
The Full Monty is a male comedy, but the “male”, the typical English man, a creature who lives and grows in pubs, made up of class pride and belonging, is here in difficulty, forced to deal with a changing reality that it robs him of the power and authority he took for granted.
Without a job, he is no longer the “head of the family” and as if that weren’t enough, he discovers an ideal of male beauty that besieges and conditions him, of which the real, authentic strippers that their women run to see are the bearers. The character of Dave is the one who takes the most burden of this problem, since he is overweight, is ashamed of his body and tries to lose weight in the most absurd and extreme ways. Also for this reason he tries to pull back to the end, so as not to go up on that stage, not to feel uncomfortable, not to have to accept himself.
Finally, the film also introduces the topic ofmale impotence, for a long time a taboo in society. But in that decade there was also a progressive opening towards the LGBTQ community represented here by Loomer e by the unsuspected and gifted Guy. In the 1980s, 75% of British people viewed homosexuality in a negative way, in 1997 “only” 40%. Today we all know how much more inclusiveness there is waving under the Union Jack.
The Full Monty however it is also interesting for conflict with the female sex, which Peter Cattaneo is not describing in a particularly positive way. In fact, the women here appear selfish, very little emancipated, interested only in materiality and safety, unable or almost unable to stand by their men in times of difficulty.
This is another element of great interest because mirror of a criticality in the relationship between the sexes which in recent years has ended up at the center of complex discussions and analyzes, either for the greater female emancipation, or also for the crisis of the male, which began precisely in those 90s. The solution? Listening, comparison, empathy. The Full Monty, after 25 years, it is not just a beautiful comedy, it does not simply represent a particular historical or social moment. This film anticipated today’s world, our present without rights, isolation, the death of class consciousness, incommunicability to be defeated by questioning and admitting one’s vulnerabilities.
.
[ad_2]
Source link
