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Directed by Ilya Naishuller, Nobody features a soundtrack full of rock and roll hits and Americana classic songs. Bob Odenkirk stars as Hutch Mansell, a mild-mannered family man whose violent past and deadly skills show themselves after he fails to prevent a home invasion. The 2021 movie was written by Derek Kolstad, the creator of the John Wick franchise, and the influence is definitely noticeable. The intriguing premise kickstarts a wild ride filled with intense action, dark humor, and catchy songs. The Nobody soundtrack captures the mundanities of everyday life, and the collective songs correlate with the protagonist’s identity crisis.
It is a lot of fun to see Better Call Saul star Bob Odenkirk’s fight skills on display and the movie has a lot more to offer audiences beyond the thrilling action. The Nobody soundtrack takes audiences on a musical journey. The film begins with the iconic Nina Simone and transitions into a Luther Allison classic but then changes up the tone with productions from the Russian composer Tchaikovsky and the American crooner Andy Williams. In fact, Nobody’s primary villain, Yulian Kuznetsov (Aleksei Serebryakov), even sings during a bizarre yet fascinating nightclub performance. Here’s a breakdown of every main song in the 2021 crime thriller.
Every Song in Nobody
The Nobody soundtrack features the following:
“Don’t Let Me Be Misunderstood” – Nina Simone
“Heartbreaker” – Pat Benatar
“Life Is a Bitch” – Luther Allison
“DVIGAI POPOY” – Mandarinki
“I’ve Gotta Be Me” – Steve Lawrence
“Buhgalter (The Auditor) “ – Kombintsya
“Serye Glaza” – Natasha Korolyova
“Piano Concerto No. 1 in B Flat Minor” – Pyotr Ilyich Tchaikovsky
“I Told Myself a Lie” – Clyde McPhatter
“I Won’t Give You Up “ – Almost Here
“Funky Music Sho Nuff Turns Me On” – Edwin Starr
“Straighten Up and Fly Right” – Dean Hudson and his Orchestra feat. The Sherry Sisters
“What a Wonderful World” – Louis Armstrong
“The Impossible Dream” – Andy Williams
“You’ll Never Walk Alone” – Gerry & The Pacemakers
“Let the Good Times Roll” – Shirley Goodman, Leonard Lee
“Let the Good Times Roll (Feel So Good)” – Bunny Sigler
Right up until Nobody’s ending and post-credits scene, the fun-loving action film is filled with thoughtfully chosen song choices within its soundtrack. Nobody opens with “Don’t Let Me Be Misunderstood” playing over a montage, and culminates with investigators inquiring about the protagonist’s true identity. After Hutch gets robbed, “Life Is a Bitch” accompanies an investigation sequence, and “I’ve Gotta Be Me” scores a pivotal bus moment. “I Told Myself a Lie” plays when Hutch visits a barbershop to ask about Yulian. Shortly after, the Louis Armstrong classic “What a Wonderful World” plays as Hutch sets his house on fire.
During a fight scene in the climax, “The Impossible Dream” thematically pinpoints Hutch’s frame of mind, and “You’ll Never Walk Alone” scores a shootout moment. Then, after Hutch crosses his fingers in desperation, “Heartbreaker” fuels a car chase sequence. “Don’t Let Me Be Misunderstood” sets in again Nobody‘s big final action sequence, and the movie ends with “Let the Good Times Roll.”
Who Did The Music For Nobody
As previously listed, in addition to plenty of wild and violent action scenes, the Nobody soundtrack features plenty of aptly-chosen songs from a slew of different artists. However, the Bob Odenkirk-led movie is also embedded with original music by high-profile composer David Buckley. The British-American artist is known for his composition in popular — and often similarly punch-packing — projects, such as 2016’s Jason Bourne, The Town, Angel Has Fallen, Unhinged, and Michael Noer’s 2018 remake of Papillon.
How Nobody’s Music Makes It Better
The Nobody soundtrack is as much a secret weapon for the movie as Hutch’s surprising fighting skills. It helps to elevate the film beyond being just a brutal thriller story and uses each song to enhance the action sequences and the characters. Similar to the formula Edgar Wright used in Baby Driver, Nobody choreographs the fight scenes and shootouts with the help of the music. Also, featuring these catchy songs juxtaposed with the violence on screen added to the darkly comedic edge of the movie.
Nobody‘s music also highlights things about the characters, giving them slight development in how they interact with music. Hutch seems to use his record collection as a way to calm down and relax at the end of the day. However, when the kill squad invades his home, he sets fire to the collection as if putting that calmer side of him to bed for good. Likewise, the villainous Yulian is given some humanity in his karaoke scene. This is a character who is capable of intense and brutal violence at a moment’s notice, but he can still enjoy singing a song that he likes. These moments show that, as visually entertaining as Nobody is, the music makes it what it is.
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